Hi, I’m Mihaela.

Writing about yourself is about as awkward as having your photo taken… but here we are.

My background is in theatre photography, which means I’m used to working quickly, quietly, and without a safety net. In live performance, you rarely get second chances. No one pauses for you to fix your focus or rethink your angle, so you learn to read the rhythm of people and frame fleeting chaos with intention. It’s a bit of an adrenaline sport, really.

All of that has proven surprisingly handy as I gradually made my way into wedding photography. I didn’t plan a big pivot, it began slowly, one or two weddings here and there, mostly for friends, but something about it stayed with me. It came around the same time as a mild creative crisis (the classic “what am I even doing with my life” sort). So much of what I capture, on and off stage, is destined to be “content”, important in the moment but ultimately quite ephemeral. And while I absolutely love the act of making those images, the temporary nature of their purpose can, at times, feel a little soul-sapping.

Enter: weddings. Suddenly I found myself entrusted with something far more permanent. It’s quietly life-affirming to know that I’m documenting family history. Decades from now, someone might stumble across one of these photos, spot a familiar face, and think: “Fucking hell, grandma was fit.” It’s a joy to be trusted with something that matters.

My approach is rooted in observation. I want you to look back at your photos and feel like you were there, not like you were performing for the camera. I work with a mix of gentle direction, humour, and a healthy respect for the unpredictability of the day.

When I’m not working, I’m usually outdoors, negotiating with my horse, Ollie, who has strong opinions about everything and very little interest in compromise (but will take a bribe). He keeps me humble, and occasionally airborne. At home in Edinburgh, I live with my partner Lewis, who tolerates my inability to feed myself proper meals, as well as my love of in-depth airline disaster analysis videos and niche fanfiction with extraordinary patience. Life’s all about balance (though I’ve yet to find it, it’s all chaos here).


Portraits by Jassy Earl.

Approach


Your wedding isn’t a photoshoot, it’s a celebration, and your photos should reflect that. I’m drawn to the natural interactions between you, your partner, and the people who matter to you most. In practice, this means I try to let the day unfold on its own terms, stepping in only when needed, and even then, gently so.

When it’s time for portraits, I’ll guide rather than pose. No stiff limbs or forced smiles. just a bit of direction to give things shape, then allow space for whatever happens to happen. The goal isn’t to stage a perfect moment, it’s to spot one as it happens.

I try to photograph weddings with a mix of artistry and irreverence, seeking out not just the obvious moments, but the odd, lovely ones you might not notice until later. The beautifully imperfect, occasionally chaotic rhythm of it all. It’s not just about what your wedding looked like, it’s about what it felt like to live inside it.

On a personal level, I see my role there as a supportive observer. I want you to have a fantastic day, above all, every other consideration comes as secondary. If you need a hype woman, I’m there. If you need to steal a moment just to yourself, I can facilitate that.

Photographically, I lean towards a slightly messy frame, the kind you sit with for a moment because there’s more going on than you noticed at first glance. Weddings rarely happen in tidy, symmetrical ways, and honestly, that’s part of the charm. You and your guests being strange, delightful humans is what it’s all about.

In writing this, I’ve been trying to find a way to describe how I’d like you to feel when you see your photos. The closest I’ve come is this: your friend’s got a camera, and she’s quietly everywhere. I want the images to feel like we were really there together, and that what you’re looking at grew out of that shared moment, not something staged or borrowed.

Rather than drawing from a library of poses or pre-fabricated feelings, the photos come from you. I’m just there to witness it, and shape what I see into something lasting. Though I will, of course, let you know if you’re holding hands in a way that makes your fingers look like awkward little sausages.

FAQ


Investment


FULL DAY

From £1950. A second photographer can be added at an additional £350.

Delivered in an online gallery available to share with your guests, along with a bespoke USB with a selection of 6x4 prints.

SMALLER DAYS

From £250 - Minimum of 2 hours booking is required.

Delivered in an online gallery available to share with your guests.